Friday, 6 April 2012

Virtual Essay


For this virtual essay, I have chosen to complete option 1, and I was inspired by Andy Warhol, and I attempted to mimic a self-portrait he completed of himself. Andy Warhol, although more recognized for his paintings and films, used colour as his inspiration. Warhol is best known for his use of pop art, mostly taken in inspiration of consumer goods and celebrities (Biography, 2012). As an internationally acclaimed artist, Warhol revolutionized art in the 1950s up until his death in 1987 (Carnegie Museums of Pittsburgh, 2012). Warhol used his radical works in art that created different ways to express his opinions to society of the era, so that the public voice may rely on their own imaginations (Carnegie Museums of Pittsburgh, 2012). Due to the fact that his works were extremely ambiguous and created multiple interpretations of what his work attempted to represent, society became intrigued by his works then, and still do so today (Carnegie Museums of Pittsburgh, 2012). Andy Warhol is a very important artist, as he challenged traditional boundaries in art, as well as in life, and showcased his love for art in a non-boundary practice and felt that virtually anything can become art (Carnegie Museums of Pittsburgh, 2012).
Warhol self-portrait. http://unravelinghistory.tumblr.com/page/2


I felt intrigued by the use of colour expressionism and phrases that Warhol attached in his images, and wanted to create a similar set of photo. To make my photographs similar to the work of Warhol, I asked my sister to pose similar to those of Warhol in his images. After doing so, I used pixlr.com and edited to images to create a similar saturated effect that Warhol achieved in his images. I then adjusted to colours to somewhat resemble those he used, and then attaching the same line that is captioned in each photo.











I think that this photo in particular is of importance because of Warhol’s struggles in his life. Warhol was out casted prior to his fame, and looked upon as a misfit, especially due to his homosexual lifestyle (Carnegie Museums of Pittsburgh, 2012). This self-portrait of images created by Warhol, in a sense provides his self-confidence in himself as well as in his art. Warhol’s self-portrait, as well as others photos of himself, tries to convey messages about him as an artist and a human being (Spens, 2005). The self-portrait of him expresses all the identities he took on as ‘masks’ and his complex personal identity (Spens, 2005).


With that said, I felt that this photo would be a good source to inspire my own photos. I chose to as my sister to be the model in my photos because as an individual whom is multi-facet and has many dimensions to her personality. I felt that since my sister is in her teenage years making a transition to a young adult, these colours and phrases captioned into the photos fit well with her, which provided me my end result in the five photos I have created, inspired by Warhol.


I feel that the style used by Andy Warhol in his self-portray really convey messages of his life style and him as a person, which I found much inspiration in. I felt that it would be interesting to see an older teenager become represented by the colour and phrases used in the image by Warhol. I feel that may end result is quite similar to Warhol’s and really captures who Warhol and my sister really are. I feel that these phrases and colours in this style Warhol created can fit into almost any personality, which is really where my inspiration stemmed from, as I have a background in psychology and this interests me. The images I have created and those created by Warhol in his self-portray really attempt to stir the critically thinking skills of audiences looking at the images, trying to find meaning in what exactly the see in the photographs.



References


Biography. (2012). Andy warhol biography. Biography.com. Retrieved April 1, 2012, from www.biography.com/people/andy-warhol-9523875


Carnegie Museums of Pittsburgh. (2012). Warhol: exposures 1970s gallery. The Andy Warhol Museum. Retrieved April 1, 2012, from http://www.warhol.org/andy_work.aspx?id=429


Spens, C. S. C. (2005). Andy Warhol Self-Portraits. Studio International - Visual Art, Design and Architecture. Retrieved April 1, 2012, from http://www.studio-international.co.uk/painting/warhol_4_05.asp


Sunday, 11 March 2012

Press Photography versus Art Photography


Press photography is a type of photography that is known for it “timeliness, accuracy, fair representation of the context of events and facts reported, and accountability to the public” (Westbrook, 2007). The purpose of press photography is to indicate to the public the true meaning of an event, in an accurate representation (Westbrook, 2007). If we take a closer look at the example of the 2010 Vancouver Olympic Games photos by Adrian Wyld and Daniel Mallard, it is possible to apply the meaning of press photography to these two photographs. These photographs are a direct and accurate representation of the gold medal won during this hockey game. Mallard and Wyld use their techniques to create a scene that becomes part of our history that allow a society to stay connected (Westbrook, 2007), which in a sense is what I believe press photography intends. Press photography can create a glimpse of the past for a society (Westbrook, 2007). It brings back memories and feelings that were evoked during that given event, which is quite true of any press photograph, in my opinion.

The Canadian Press/Adrian Wyld
http://sports.ca.msn.com/cfl/photos/gallery.aspx?cp-documentid=22716477&page=9

QMI Agency/Daniel Mallard
http://www.lfpress.com/sports/othersports/2010/12/22/16660456.html


Art photography on the other hand is quite different that press photography. Art photography captures images in an artistic way, that does not necessarily rely on the realities of the moment, like press photography. This type of photography can be seen through the works of Andre Kertesz and Henri Cartier-Bresson, although they are considered photojournalists. Their photographs both attempt to create images where scenes seem rather natural and un-put together. Art photographs showcase scenes that capture a still moment where the photographer is “invisible” (Week 10 lecture slide 4). As Kertesz states, he wished images to be candid in a sense (Week 10 lecture slide 5), which creates a more artistic look to the photograph. When looking at the images of Sandy Skoglund, it is quite event to see a rather similar notion. In Skoglund’s photographs, the scenes created look almost dream-like. However, unlike other art photographers, Skoglund creates these images herself by building the set and filling in the actors (No author, 2010). These images seem naturally created and surreal, although artistically elaborate in the detail put into it (No author, 2010). Skoglund adds her on personal touch to the art photographs by using high contrasting colours in her scenes (No author, 2010).
Sandy Skoglund
http://digphotoblog.org/2010/12/sandy-skoglund/

Sandy Skoglund
http://digphotoblog.org/2010/12/sandy-skoglund/
Press and art photographs are not meant to be altered in any way, shape or form, due to its accuracy of the event in which it represents (Westbrook, 2007). With that said it is unacceptable and very unethical to alter a photograph, which takes away the meaning of the photos they represent. Since these photographs are a true visual image of the realities that occur in our society, they should not be altered. Altering the image creates a dishonest and bias response to an event that has taken place. Altering photographs, whether art or press, hinders what the photographer was truly attempting their photograph to mean and the symbolisms behind the images depicted. An excellent example of this is shown through the work of Alexander Rodchenko. Rodchenko’s photographs depicted events of those in the Soviet Union in the 1920s and 1930s (Museum of Modern Art, 1998). Rodchenko’s photos were accused of plagiarism in the late 1920s for his work that showed the true realities of the political worlds, which was a true reality of the time (MoMA, 1998). His work was embraced by those in the western world for its imperialism and truthfulness that it indicates (MoMA, 1998). With this said, a constant question arise as to why someone would want to recreate a photography that captures the true realities of the era? Overall, images should never be altered. Alterations of photos take away the meaning of the reality of photos they showcase and the artistic notions they represent.

References

Museum of Modern Art. (1998). Photojournalism. Retrieved from http://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/photojournalism.html

No author. (2010). Sandy skoglund digital photography blog. Retrieved from http://digphotoblog.org/2010/12/sandy-skoglund/

Westbrook, D. (2007). A brief history of photojournalism. Retrieved from http://www.photography-schools.com/photojournalismhistory.htm

Week 10 Lecture Slides (Blackboard)

Sunday, 19 February 2012

DB7 - Presentation Week 7: Photography and society

Compare the work of Alexander Rodchenko, Peter Kennard and John Heartfield and elaborate:
- What are the differences and similarities?
- Do you think they had impact on the society and created changes? Can photography and photographers achieve something like that?

By: Jennifer Hsu, Wonkeun Cho, Bruno Sacchetti & Michelle Lisi
___________________________________________________________________________________
Introduction

The works of Alexander Rodchenko, Peter Kennard and John Heartfield are quite different from each other. While all three artist attempt to portray political messages, they all do so in their own unique ways. Their photographs attempt to convey messages of the realities of political changes during their times and the effects that arise from these changes. With the works of Rodchenko, Kennard and Heartfield one would assume that political activism is central to their portrayed images. One should also take note of the techniques used by the artists, which can also create insight into the photographers’ minds.


Similarities

The main and possibly the most apparent similarity between all three artists is the main style they used – photomontage. Photomontage is the process of making one photograph with cutting and pasting a number of other photographs together. All of these artists took this method due to the impact it creates; as Peter Kennard saw it at the time, photomontage had the power to show the causes rather than the results.
Peter Kennard (Broken Missile) 



Alexander Rodchenko
           
Something that is also prevalent between the photos of all three photographers is the strong focus on the theme of war and capturing the struggles of human rights and peace.  All of these artists battle very political topics, most of the photo published were for the purpose of propaganda. Propaganda is a form of communication to influence how a community sees a particular situation.  As example is John Heartfields anti-Hilter poster; this poster is meant to emphasize and refer to how much money Hitler is swallowing and receiving from wealthy industrialists, fearing Germany would vote for a communist government.

All three artists do differ from each other, but relate in their works towards some sort of message that they attempted to convey. Through their images, we as a society can illustrate images in our mind of political changes and events during their times.


John Heartfield (Adolf the Superman)
Differences

Although all three of these photographers wanted to capture political issues, their messages were all very different and unique in their own ways.

 John Heartfield’s focus, in the time when he was most proactive with his photography, was on the anti-Nazi/anti-Hitler movement. John Heartfield went as far as changing his name from Helmut Herzfeld to avoid his service time. When looking at John Heartfield, this German photographer also used the techniques of photomontage, like Kennard, but portrayed a more experimental approach to his art. Heartfield, much like Rodchenko, was interested in the portrayal of politics, however they do differ. Heartfield was devoted to anti-Nazi political activism portrayals (No author, 2012) a. He expressed his views through these images, even in response to his German heritage while he depicted the horrors of World War One in Germany. Heartfield was also notorious for his infamous utilization of quotations in his images, also creating some sort of irony to his images.


 
John Heartfield (Blood and Iron)

Peter Kennard was a more modern artist, and his art is more relatable to people viewing his art today. His focus was very much on armaments (military weaponry) and poverty, how those two create and cause disparity in our society. Peter Kennard focused mainly on politics, especially of those with British influence. Instead of using personal responses as a form of communication like Rodchenko, Kennard wanted to show the “unrevealed truth” behind the images that he capture, which he found most useful. Using the technique of photomontage, Kennard set his focus on art pertaining to the topics of armaments and poverty, unlike the images of political activism created by Rodchenko. Kennard believed that photography had the power to illustrate the causes of something rather than the results created from something (No author, 2012)b. Kennard also had been exposed to digital technology, which he was against, as we can see in the quote below.

"There is a problem with montage in that you see it everywhere now because of digital technology. There is so much transformed imagery around that people accept constructed images without questioning their meaning. I think my work was losing impact because of that." – Peter Kennard

 
Peter Kennard (Defended to Death)

Alexander Rodchenko was a Russian artist turned photographer during the Revolution of October 1917, who created images that resembled Avant-Garde type works (The Museum of Modern Art, 1998). The art of Rodchenko attempted to depict the Communist culture following World War One, and created a unique styling in the images portrayed (The Museum of Modern Art, 1998). Rodchenko’s works lead the way of art in Soviet Russia and his abstract work creates images of personal responses to illustrates Russia’s progress during that time frame. His work rejects socially created conventional roles of self-expression and aesthetic predilections, making him somewhat of a political artist (The Museum of Modern Art, 1998). Alexander Rodchenko was an artist of very controversial, by taking a very nihilistic focus to art to a point when many didn’t believe what he produced was art. Rodchenko’s focus was on the society but more so for the production aspect. He designed things for propaganda, posters, book covers, and etc.

 
Alexander Rodchenko


Did These Photographers Impact Society?



These three photographers all had made a huge impact on the society, both through their art and the meaning that they were conveying to the society. These three artists were able to lead more than thousands of people, but they are not worldwide famous photographer or artists. They all had a vision and were determined to succeed in their life time. Each artist had impacted society in a different but similarly significant way – whether it was Heartfield’s propaganda material in late 1800’s, or Rodchenko’s innovative take on photography. Whether it was good or bad they all made audience feel and change the way they felt about the future. Photography is a very powerful tool, and it can change people lives for decades; as technology improves every day it will continue to provide heartfelt and impactful images to the human mind and therefore placing a strong impact on everyone.



Can Photographers Achieve that Impact on Society?



Photography is used around the world as a powerful visual toll that not only impact society but also creates changes. Photographers through their photographs have an influence in persuading their audience and viewers. Photographers express their views through their lenses, and the message generated can sometimes pursued a whole civilization. Each photographer shapes their own message according to their views about the world. This message as a result can have a massive effect on society simply because reality is exposed. Photography can also influence society to act in certain ways. News papers use photography to emphasize their messages with images. The government use photos to illustrate their scrutiny and to accentuate their accomplishments to pursue citizens to gain more political control. Nonetheless Photographers throughout photography can achieve change. Peter Kennard, John Heartfield and Alexander Rodchenko tried to create change thought their lenses, but with not much success, their work and views still impacts society until today. Peter Kennard, John Heartfield and Alexander Rodchenko were above their fear, and by means of their work were able to impact society at an extraordinary level. Their courage inspired many photographers and followers to be original and confront their fears. Alexander Rodchenko established unprecedented compositional paradigms that until these days translate the idea of modern photographic art. Peter Kennard work has influenced modern photographers, film makers and even some computer programs like Photoshop. Finally, John Heartfield's art has had a considerate effect on modern advertising. The proposal of a photomontage is used on many advertisement printed in magazines today. These photographers created a landmark in the world, and with their messages alive in their photographs we can look at their job and learn from the past how to create a better future.    




Bibliography



"Alexander Rodchenko - Biography." The Internet Movie Database (IMDb). Web. 17 Feb. 2012. <http://www.imdb.com/name/nm0734447/bio>.

"Alexander Rodchenko: A Man Who Took Life Lying down - Telegraph." Telegraph.co.uk - Telegraph Online, Daily Telegraph, Sunday Telegraph - Telegraph. Web. 17 Feb. 2012. <http://www.telegraph.co.uk/culture/art/3671028/Alexander-Rodchenko-A-man-who-took-life-lying-down.html>.

"John Heartfield: Life." Towson University. Web. 17 Feb. 2012. <http://www.towson.edu/heartfield/life/WorldwarOne.html>.

My Blackboard. Web. 17 Feb. 2012. <https://gbc.blackboard.com/webct/urw/tp0.lc5122011/cobaltMainFrame.dowebct>.


                “J.Paul Getty Museum”- Alexander Rodchenko: Fine Art, Portraiture Biography Retrieved from http://www.profotos.com/education/referencedesk/masters/masters/alexanderrodchenko/alexanderrodchenko.shtml







http://jesseturri.com/wordpress/?p=210

Sunday, 5 February 2012

Photography & Ethics: Photo Manipulation

          In the recent weeks of course, a number of techniques in photography have been explored. Something that I found to be quite unique of most of the photos looked at was the abstractness of the images and how the related more to images of art. To me, photography is an art form and images can be manipulated to create other variations of the art works that are derived from photography. With that said, for this photo manipulation assignment, I have become the photographer and have edited and altered my own images to create my own pieces of art to illustrate how photography can be considered an art form. Editing photographs can allow the photographer to add their own personal influences to images that were not present in the original.  I have taken my own abstract images and edited the originals to create something unique, with inspiration from the week four’s topic. This topic on whether photography is art made me feel compelled to make my edited photographs using Pixlr (an online editing tool) into something that looked more like artwork than just an ordinary set of photographs.

The first image I chose to capture was that of the book (see below). With the original image I attempted to take an abstract photograph of just the open pages. Once I edited the image, it took on a more art-inspired feel (see below). In this photo, I adjusted the saturation levels to a hue that resembles a sepia tone and darkened the image. I also inserted a vignette to have a more aged appeal to it. In the second image of the lilies (see below), I attempted the abstract image once again. However with this photo, I felt that more colour was needed to have more appeal. Again, as like the first image, I adjusted the saturation levels, but this time I wanted to create more colour to create a livelier look to it (see below). The pink-purple tones give the flowers a more lively impression and create an image that almost looks like a piece of art work.
I felt that these changes to both original images were necessary to illustrate the topic that photography is art. This particular topic hits close to home for me because I feel, as an avid photographer, that art is an expression of individualism and personality, which I wanted to be seen in my own edited images for this assignment. In both images I decided to adjust saturation level mostly to hues that were appropriate for both images. I did this because I felt that the importance and uniqueness of both images could be better understood with the addition of more colour, especially in the both of the edited photographs. With the photograph of the book, it creates a more vintage and antique feel to it. Whereas, the photograph of the flower looks more alive and vivid, and in my opinion, looks more like a piece of painted art. In conclusion, I feel that the use of editing is quite useful in photography and can allow an image to take on various variations of the original image that was attempted to be portrayed. Adjusting photographs can allow a photographer to add their own personal touches to images of reality that were not present in the original image.
Book (Unedited Image)



Book (Edited Image)

Lilies (Unedited Image)
Lilies (Edited Image)

Sunday, 22 January 2012

The Role of Portraits in the Early Days of Photography & Portraits Today

Daguerreotype of the White House
http://portfoliography.com/blog/linked/page/13/
            Looking around at today’s photographs and photography, one would wonder how photographs functioned in the past and its purpose. Portraits from the early days of photography and today share a similar purpose and function in today’s society. However, compared to present day and the past, photography has come a long way in terms of its significance and processes, as well as in their impacts with the rise of technology.

 In the past, having one’s portrait taken confirmed their social status in a given society and was a significant trend in the new developing Western World, particularly in Western Europe (Freund, 2004). During portraits’ early days, portraits were mostly done by artists in the form paintings till the rise of photography in the 1850s (Freund, 2004). In 1839, Frenchman Louis-Jacques-Mande Daguerre invented photography, creating a mechanical process that would take on a dual character: a medium of artistic expression and a scientific tool (Daniel, 2004). The birth of photography evolved to become an artistic, technical and commercial medium (The British Library, 2011), which would later become available to everyone and not just those of high social status.
             In today’s world of photography, a similar approach to its purpose and function is noted, yet it has become a completely evolved medium. In today’s photography, there is no sense of social status or ranking in society, which was the main purpose of photographs of the past (Freund, 2004). Subjects of the photographs and portraits of today can be of individuals, products, landscapes, scientific, and of various other forms. There is no importance held on what ranking an individual is in society. In today’s world, anyone can be a photographer, taking photographs of subjects they find important to them, compared to in the past of artists being the main photographers (Freund, 2004). Looking at photographs in general today, it is visible to see various approaches and mechanics of the images in them.  Images may capture precious moments and milestones of life, business strategy manoeuvres, scientific evidence and many others. 

             Photography, from the past and present, can also be seen to have a major impact in the way the process is completed and in its technology. In 1839, Daguerre created the daruerreotype photographic process (The British Library, 2011). This first photographic process involved placing images created on silvered metal plate and then exposed to iodine fumes to form a light-sensitive, silver iodide surface in a delicate process (The British Library, 2011).  The photos were then exposed a plate with heated mercury fumes and the image was fixed in a salt solution, creating a very sharp image (The British Library, 2011). In today’s photograph development, entirely different processes are available and used extensively. Today’s photographers and general public can conveniently develop their photos in a timely fashion and have the ability to develop them from home. Compared to the technology from the past, photography today has become an efficient and effortless process. 


Camera Obscura
http://www.sil.si.edu/ImageGalaxy/imageGalaxy_enlarge.cfm?id_image=9148
            In terms of technology used, it is evident to also see a development in the types of equipment used in photography. The camera obscura, an early technology used in photography, used the ability of a pinhole to create an image in a darkened room (National Media Museum, 2010). The mechanisms of the camera obscura used lenses creating brightness and sharpness in the 15th and 16th centuries (National Media Museum, 2010). Today, the camera obscura and the technology used with it are virtually obsolete with the rise of the digital world. Present day’s photographic process has become a member of the digital age and is constantly changing and updating to become better than ever. Every part of the photographic experience and process is now completed digitally, allowing us to create, edit and store images in a digital manner. One can’t help but wonder how society functioned with photography and photographs before digital cameras and the digital age, with constantly evolving technology at society’s disposal.
            Photography and portraits of the past and present share similarities and differences in areas, mostly relating to its importance and function in society, and technological impacts that present themselves to photography. It is possible to see how the advances of technology have affected photography and how society has changed with it in its processes.

References

Daniel, M. (2004). Daguerre (1787–1851) and the invention of photography. Heilbrunn Timeline of Art History, Retrieved from http://www.metmuseum.org/toah/hd/dagu/hd_dagu.htm

Freund, G. (2004). Precursors of the photographic portrait. In V. R. Schwartz & J. M. Przyblyski (Eds.), The nineteenth-century visual culture reader (pp. 79 - 81). Retrieved from https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxzaG9vdGluZ3RoZXRydXRofGd4OjU1ZjM5Yzc5YmExYTUxNjc  


The British Library. (2011). Historic photographs - photographic processes. Retrieved from http://www.bl.uk/onlinegallery/features/photographicproject/photographicprocesses.html  


Wednesday, 11 January 2012

Hello!





http://www.google.com/

Hello there!

My name is Michelle Lisi and I am currently enrolled in GHUM 1078 - Photography: Shooting the Truth. Hope you enjoy my blog!